{"id":445,"date":"2006-09-04T12:22:28","date_gmt":"2006-09-04T12:22:28","guid":{"rendered":"http:\/\/irdial.com\/blogdial\/?p=445"},"modified":"2006-09-04T12:26:32","modified_gmt":"2006-09-04T12:26:32","slug":"stop-motion-studies","status":"publish","type":"post","link":"https:\/\/irdial.com\/blogdial\/?p=445","title":{"rendered":"Stop motion Studies"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" width=\"134\" height=\"54\" alt=\"SMS\" src=\"http:\/\/www.stopmotionstudies.net\/image\/sms.gif\" \/><img decoding=\"async\" loading=\"lazy\" width=\"5\" height=\"1\" src=\"http:\/\/www.stopmotionstudies.net\/image\/spacer.gif\" \/><br \/>\n<img decoding=\"async\" loading=\"lazy\" width=\"1\" height=\"10\" src=\"http:\/\/www.stopmotionstudies.net\/image\/spacer.gif\" \/><br \/>\n<span class=\"title\"> Stop Motion Studies <\/span><br \/>\n<img decoding=\"async\" loading=\"lazy\" width=\"1\" height=\"10\" src=\"http:\/\/www.stopmotionstudies.net\/image\/spacer.gif\" \/><br \/>\n<span class=\"name\">David Crawford | <\/span><a href=\"http:\/\/babelfish.altavista.com\/\"><img decoding=\"async\" loading=\"lazy\" width=\"35\" height=\"11\" border=\"0\" alt=\"Japanese\" src=\"http:\/\/www.stopmotionstudies.net\/image\/jp.gif\" \/><\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" width=\"1\" height=\"1\" src=\"http:\/\/www.stopmotionstudies.net\/image\/spacer.gif\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" width=\"1\" height=\"1\" src=\"http:\/\/www.stopmotionstudies.net\/image\/spacer.gif\" \/><\/p>\n<p>\u201cTo translate the stilled image into movement is to see the uncanny nature of the photograph transformed out of one emotional and aesthetic paradigm into another. The uncanny of the indexical inscription of life, as in the photograph, merges with the uncanny of mechanized human movement that belongs to the long line of replicas and automata.\u201d<br \/>\n\u2014Laura Mulvey, <em>Death 24x a Second<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" width=\"360\" height=\"180\" alt=\"Stop Motion Studies - Tokyo\" src=\"http:\/\/www.stopmotionstudies.net\/image\/sms8_blurb.jpg\" \/><\/p>\n<p><em><a href=\"http:\/\/www.stopmotionstudies.net\/\">Stop Motion Studies<\/a> &#8211; Tokyo<\/em>, 2004<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stop Motion Studies David Crawford | \u201cTo translate the stilled image into movement is to see the uncanny nature of the photograph transformed out of one emotional and aesthetic paradigm into another. The uncanny of the indexical inscription of life, as in the photograph, merges with the uncanny of mechanized human movement that belongs to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19,36,1],"tags":[],"_links":{"self":[{"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=\/wp\/v2\/posts\/445"}],"collection":[{"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=445"}],"version-history":[{"count":0,"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions"}],"wp:attachment":[{"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/irdial.com\/blogdial\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}