Friday, August 24, 2001

"AbandonWare"
A petition that urges software makers to release their obsolete titles into the public domain as freeware.

http://mivox.com/essays/text/petition.html
posted by Josh Carr , 6:12 PM Þ 

In an interview with John Lydon:
Does it depress you that ultimately you changed nothing and British culture in the 21st century is now the essence of tedium, banality and mediocrity?
Oh, I disagree, I changed everything and then it all went back. That isnt my fault. Its for the next lot to come up with their stuff. I'm not waving no big flag for you all to stand behind. I'm not the leader; there are no leaders. We all lead ourselvs individually. Life is bad when you don't do fuck all about it. But somethihng will come out of it, I dont know what. I hope so at least, and if it doesnt, its tough tits because I've done my bit and now its your turn mates. You can't just leave it all up to just one bod, or a group of people. That's selfish and lazy. Followers are the very people, from the Sex Pistols onwards, that I dislike the most, because they're sheep. They're living their lives through you and thats wrong. Respect what I do, but dont bloody live in it or copy it, imitate it.
From the new "year zero" magazine
posted by Irdial , 10:13 AM Þ 
Thursday, August 23, 2001

what's worse? selling your babie's name to a megacorp? or buying mike paradinas hair?
posted by alex_tea , 7:35 PM Þ 

Culled from a private music scandal sheet:
------------------------------------------------------
Aphex Twin has just bought that strange silver building
in the middle of the Elephant & Castle roundabout.
------------------------------------------------------
posted by Irdial , 2:08 PM Þ 
Wednesday, August 22, 2001

sorcery

by Hakim Bey - January 17, 2001

The universe wants to play. Those who refuse out of dry spiritual greed & choose pure contemplation forfeit their humanity--those who mold themselves blind masks of Ideas & thrash around seeking some proof of their own solidity end by seeing out of dead men's eyes.

Sorcery: the systematic cultivation of enhanced consciousness or non-ordinary awareness & its deployment in the world of deeds & objects to bring about desired results.

The incremental openings of perception gradually banish the false selves, our cacophonous ghosts--the "black magic" of envy and vendetta backfires because Desire cannot be forced. When our knowledge of beauty harmonizes with the ludus naturae, sorcery begins.

No, not the spoon-bending or horoscopy, not the Golden Dawn or make-believe shamanism, astral projection or the Satanic Mass--if it's mumbo jumbo you want go for the real stuff, banking, politics, social science--not that weak blavatskian crap.
Sorcery works at creating around itself a psychic/physical space or opening into a space of untrammeled expression--the metamorphosis of quotidian place into angelic sphere. This involves manipulation of symbols (which are also things) & people (who are also symbolic)--the archetypes supply a vocabulary for this process & therefore are treated as if they were both real & unreal, like words. Imaginal Yoga.

The sorcerer is a Simple Realist: the world is real--but then so must consciousness be real since its effects are so tangible. The dullard finds even wine tasteless but the sorcerer can be intoxicated by the mere sight of water. Quality of perception defines the world of intoxication--but to sustain it & expand it to include others demands activity of a different kind--sorcery.
Sorcery breaks no law of nature because there is no Natural Law, only the spontaneity of natura naturans, the tao. Sorcery violates laws which seek to chain this flow--priests, kings, hierophants, mystics, scientists & shopkeepers all brand the sorcerer enemy for threatening the power of their charade, the tensile strength of their illusory web.

A poem can act as a spell & vice versa--but sorcery refuses to be a metaphor for mere literature--it insists that symbols must cause events as well as private epiphanies. It is not a critique but a re-making. It rejects all eschatology & metaphysics of removal, all bleary nostalgia & strident futurismo, in favor of a paroxysm or seizure of presence.

Incense & crystal, dagger & sword, wand, robes, rum, cigars, herbs like dried dreams--the virgin boy staring into a bowl of ink--wine & ganja, meat, yantras & gestures--rituals of pleasure, the garden of houris and sakis--the sorcerer climbs these snakes & ladders to a moment which is fully saturated in its own color, where mountains are mountains & trees are trees, where the body becomes all time, the beloved all space.

The tactics of ontological anarchism are rooted in this secret Art--the goals of ontological anarchism appear in its flowering. Chaos hexes its enemies & rewards its devotees . . . this strange yellowing pamphlet, pseudonymous & dust-stained, reveals all . . . send away for one split second of eternity.

(anti-copyright)
posted by monkeys , 11:45 PM Þ 

not been to out there on the blog factor 200 for a while - buzzyness busyness and the usual life difficulites (why I tell you this I don't know). hope you are well - I appreciate what you write cos it makes a difference from the usual monuments to mediocrity that gets stuffed in your face every day.

try this for amusment: http://www.pox.co.uk/images/pygmyshrew.swf

oh and this looks good an all (came from tigerbeat mailout): http://www.em411.com/

wear shorts tomorrow if in london i reckon it will be hot....
posted by Paul , 6:43 PM Þ 

i fell asleep listening to the conet project last night. now i am scared.
posted by alex_tea , 1:05 PM Þ 

http://www.pirateden.com/den/dssnews.php
anyone help with this junk...i really dunno, but looks cool
posted by andy , 2:27 AM Þ 

http://www.R107.co.uk/~aediaed/

So many mission statements, manifestos and ideals are nothing but prosaic, vacuous rhetoric. Whether it is for or against a supposed higher moral ground, there is always a discrimination; a set of entry requirements to join this radical new elite, this revolutionary new clique, with nothing to offer except shallow polemic. The movements rotate in cycles, and soon we are back to what we were fighting against last week: undermining the (anti) bourgeois; the (anti) commercial perfection; or whatever else seems wrong with the world this week. Elites form, not from perfection in corporate eyes, nor through nepotism, but through the movements that oppose, subvert and criticise. We will try to avoid such tripe/hype.

æ›i æ› will undermine the underminers. We should embrace De Certeua’s “art of being in between” as Naomi Klien so rightfully pointed out. We are neither right nor wrong; left nor right; today’s neo clique nor anarchist; and yet we are all those things individually. We need a force of conflicting opinions to learn through the eyes of our opponents, for they see the wrong in our perfect light.

No bosses. No guidelines. No deadlines. No by-lines.

Issues, heartbreak, passion, inspiration, anger and hope that are important in our lives; the lives of the "in betweeners" – the kids who slip through the cracks of left and right, of global and local, of anti and pro, of speak out and shut up, of intelligent or ignorant, of know all and know nothing.

We are the in-between. We have the chance to seek solace in the middle ground, a place where the elites of intellectual and dumb cluck cannot rest their heavy souls. We are not a revolution, yet word is rotation of so many things: of inspiration; leading and miss-leadings; get up and go or stay in bed; can’t sit down, can’t stand up; want to die, want to live; want to be something I’m not, want to learn who I am; want the world to know and want to hide from the day.

Hopefully this lack of ineffectual writing will be plea in itself to urge journalists and writers world-over to get in touch before we put our verbal diarrhoea, spelling mistakes and non-factual facts to print.

æ›i æ› will present itself in 10” folded form. Distribution details to be confirmed shortly. Please note that no money will be made from this project, so if you are after the cash-carrot go to Sleazenation – oh, they don’t pay either. We are relying heavily on shameless advertising for businesses of the most needy kind (i.e. who we think are worthy), and personal loans. There will be no reviews, no interviews. This isn’t about music or film, neither is it some lame lifestyle mag marketed and driven by a multimedia conglomerate, aimed at narrow demographic that was invented in a boardroom. If you really feel the need to write about your favourite band, then ask them to write for themselves. Fiction or non-fiction. Politics or prose. Try doing something different, something you wouldn’t normally write, or at least, wouldn’t normally submit for publishing. Anything but normal. Perhaps your deepest, darkest thoughts or maybe some verbal doodles; scribbles from your Post-it Notes; illiterate experiments or that piece no one else wanted; too weird, too intense, too political, too opinionated.

Having said that, if there is some creative force out there, from any discipline; unknown and undiscovered, something fresh, something the world simply needs to know about, then feel free to write about it in the form of innovative interviews or informative introductions. We will, most probably, accept anything, as long as it’s good.

From a few words to an essay, all stories, muses and rants should be emailed to the address at the bottom of this page. If you want answers to any of the information we avoided to discuss in this word-splurge, then you know what to do.

email: aediaed@R107.co.uk
posted by alex_tea , 2:15 AM Þ 
Tuesday, August 21, 2001

A212 ver. 2
325 Songs, 1:06:27:39 total time, 1.60 GB


>>>The new version of A212 is now available.<<<

You can get it like this:

Refer irdial list to five of your friends by clicking here.
Send three blank CDRs in thier original packaging.

Send enough postage for us to return the CDRs to you, in UK stamps or International Reply Coupons.

Send us a 10 donation to the server fund (optional)
Post everything in a recyclable Jiffy bag.
Love us unconditionally.

The new A212 comes with an HTML interface, newly ripped items from the venerated Irdial-Discs catalogue and newly crafted artists biogs.

Upgrade your old version of A212
If you have a previous version of A212, you can get an upgrade disc. This disc contains the new rips, HTML and directory structure so that you can fuse the old version with the new version. To get an A212 upgrade disc, send one blank CDR in its original packaging, IRCs or return postage post everything in a recyclable Jiffy bag, with a 5 donation to the server fund (optional).

If you have any problems, questions you can always email us....
posted by Irdial , 8:30 PM Þ 
posted by Niclas , 7:46 PM Þ 

talking of vintage computers, my dad found our old commodore plus/4 at the weekend.

and on a related note:
tech2.southspace.org
posted by alex_tea , 4:45 PM Þ 

http://www.economist.com/finance/displayStory.cfm?Story_ID=719262

The vintage-computer market
Old and gold

Aug 2nd 2001 | BOSTON
From The Economist print edition
It may look like junk, but there's money in that box

IT IS hard to love something made of grey plastic. Especially hard when it has a habit of crashing, deleting your work and spreading viruses. But, to some, computers are worthy of reverence, and the older the computer, the more valuable it is.

Last weekend saw the first Vintage Computer Festival East, which was held just outside Boston. Like its big sister in Silicon Valley, the festival is a celebration of computer history. People come to swap stories and missing parts, as well as to show off their prized computers (in one case decorated with crushed soda cans and packets of Twinkies for that authentic 1970s look).

A basic part of the festival, trading in vintage computers, is still pretty small-scale, but may not stay that way. Once just a fad for hobbyists, old computers are now being bought as status symbols—and even as investments—at computer festivals and ham-radio fairs, not to mention on auction websites.

Sellam Ismail, organiser of both the east and west coast events, reckons that there is a growing band of 500-1,000 serious collectors of this kit. There has for some time been a healthy trade in mechanical calculators, the computer's forebears. Curta calculating machines, popular in the 1950s and 1960s, fetch a few hundred dollars. Older machines bring in a lot more. A rare Thomas De Colmar arithometer went for $250,000.

Digital computers are different, for a number of reasons. You have to be an engineer to appreciate the technical workmanship of a CRAY-1 supercomputer. And few early computers could be described as aesthetically pleasing. But Christine Finn, an archaeologist who is writing a book on Silicon Valley, says that their “meaning” is what matters.

This may explain why the Apple 1, Steve Wozniak's first stab at a personal computer (and less powerful than most digital watches), has fetched $25,000 at auction. Other early models, such as the MITS Altair 8800, the Processor Technology SOL-20, the IMSAI 8080 series and the Scelbi 8H can all bring over $1,000.

Many such gadgets sit neglected in attics and rubbish dumps. Collectors sometimes rescue a decrepit computer, only to blow it up accidentally when they apply a current across its weary circuits. But the trade has recently been spurred by university courses teaching computer history and by museums, notably the Computer Museum History Centre, which is due to open its new home at Moffett Field, California, in 2005. Mr Ismail insists that the business will grow. He has a passion, but note the gleam in his eye. He owns no fewer than 1,500 computers, 3,000 books about computers, and some 20,000 computer magazines.
posted by ha , 4:25 PM Þ 




posted by andy , 1:48 PM Þ 

Bimbo Tower Party (Paris, 11th August 2001)
This was in the back of the wicked Los Apson clone shop in Bastille. The occasion was the celebration of Lore (singer from cooool as fuck kids band Dragibus, also featuring Franc Bimbo on drums, toilet paper neck-accessories and funny facial moves, and Leo (aka Pik) on '80s robot costume with impossible-to-see-out-of eyeholes [designed by Anpanman lookalike Misa Ishibashi] and wicked casiotronics)'s and Marie Caillou (ultra cute flash animation queen [http://www.primalinea.com/caillou/marisite.html] and owner of one of the 5 links on Bjorks website, for what its worth)'s birthdays.
Having arrived and presented Lore and Marie with their presents (free cards, authenticated by stamps of the serial-numbered ass of a plastic toy doing a nazi salute with breasts instead of cheeks, entitling them to 10 minutes of katamomi (neck) massage, non-refundable), i was accosted by "Red", this guy kinda notorious here for hyperdrunken improv of a kind of yukky variety, but nonetheless he's hallucinating like fuck off booze all the time so who knows how it sounds to him, who had some idea to gimme "electronics" to chop up. I will do it of course. And the Rectangle label guy with the ZZ-top beard, Contan, was there too so i dare say he reminded Red about this new "project" the next day. Anyway, Reds sweaty face, in a kind of suffering blues-man sort of way, would, i'm sure, earn your total respect, as long as you listen to Reynols on walkman at the same time as talking to him.
Peak for me was the fight sequence: every time i turned my back a very high Misa(npanman) decided to push me into whoever i was talking to, all to the soundtrack of "Gimme Gimme Shake" by Max (ex- Amuro Namie with Super Monkeys). Seemed like the logic was "people don't need to actually consume alcohol, just need to be pushed into a pile of drinks". Well, actually maybe so, if only the glass would take effect quicker. This party was rockin'!
posted by andy , 1:45 PM Þ 

***FOR IMMEDIATE RELEASE***

August 16, 2001 ­ Beverly Hills, CA

Do your kids know what a UFO is? Have they ever seen one? Have you ever
briefed them on the subject of your investigations?

Let best-selling children’s book author Eric Elfman do it for you. Elfman’s
new book, ALMANAC OF ALIEN ENCOUNTERS, just published by Random House,
outlines the fascinating history of UFOs in a chronological overview that
kids will find gripping.

The Almanac of Alien Encounters is an in-depth, thought-provoking look at
classic unsolved sightings and close encounters with extraterrestrials, along
with other related phenomena such as ancient astronauts, crop circles, the
Face on Mars, cattle mutilations, and much more. The book also details the
U.S. government’s official response to UFO reports, as well as a look at
science’s more cautious approach to alien encounters: SETI, the on-going
Search for Extraterrestrial Intelligence.

“I have never seen a book on the young adult level which provides so much
information to the young reader in such a simple, yet adult-like, manner. The
book gives an excellent overview of the early flying saucer sightings, from
prehistory right up to the present. Having a section on what to do if you
see a UFO is encouraging to us UFO investigators.”
-- Raymond W. Cecot, Organizational Director, IRAAP

Whether your kids are dedicated skeptics or True Believers--and from his
visits to schools, Eric has found that kids span the spectrum--they’ll find
something in the Almanac to make them think, make them laugh, send a shiver
down their spine, and spark their curiosity about the universe around them.
And most important of all, this book is sure to get even the most reluctant
readers reading!

The Almanac of Alien Encounters is available at all major bookstores, as well
as from www.amazon.com. It has been published both in paperback and in a
more-durable hardcover “library binding”.

Eric Elfman is the author of eight books for children and young adults,
including three X-Files novelizations and the award winning “Almanac of the
Gross, Disgusting & Totally Repulsive.” He has written for television and
film, and currently has several TV projects in the works. His website,
www.elfmanworld.com, describes his books in more detail, and also contains
lots of gross facts, scary stories, and other fun and educational material
for kids.

Eric is available for interviews, conferences, on-line chats, and can provide
kid-friendly articles for your newsletters and websites. Please feel free to
contact him if you have any questions or comments at eric@elfmanworld.com.
posted by Irdial , 11:39 AM Þ 
Monday, August 20, 2001

here we are, I found it!
http://www.flong.com/telesymphony/
It looks so cool.
posted by Barrie , 8:16 PM Þ 
posted by Ben , 4:20 PM Þ 
Sunday, August 19, 2001
posted by Ben , 11:17 AM Þ 
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