Saturday, March 15, 2003

posted by chriszanf , 11:58 PM Þ 




had an excellent time last night doing 2 circuits of the circle line and partying it up!!
There was talk of doing it again next month.
posted by chriszanf , 11:24 PM Þ 

Damn. Touché. *goes back to the sandbox*

http://beastieboys.com/
There's a new song there called "In a World Gone Mad." I just heard it on the radio, it's pretty cool. It's strangely spartan.
posted by Barrie , 8:37 PM Þ 

okay, I hate to suffer you through my stupid recap-the-week posts, but just scroll through if you wish to ignore my rabble... I don't blame you

Barrie, whatever you do, DO NOT UNDERESTIMATE YOURSELF and the effect your work / thought has on other people!!!

posted by captain davros , 8:12 PM Þ 

(okay, I hate to suffer you through my stupid recap-the-week posts, but just scroll through if you wish to ignore my rabble... I don't blame you)

Mess gets 20 pounds of cookies for putting up the cover of the vorticist journal "BLAST." Wyndham Lewis = great

And whatever you do, DO NOT UNDERESTIMATE YOURSELF and the effect your work / thought has on other people.
This is really good advice, akin. WHATEVER one are doing, this probably applies. People can be inspired by the oddest, simplest, or most understated things. What the artist thinks of what he/she just made is irrelevant to what the viewer thinks of it - the artist's intent is powerless to the subjectivity of the viewer. What you are doing could be very powerful!

Sorry, but there isn't much I can say about the constructivists. They just have an immediate aesthetic appeal.
Oh man. The constructivists. I think they did some awesome work, but it will take me years to get over the HORRIBLE lectures I had to go through about them. Damn you, art history class! Damn you to hell, pretentious anarchist teacher!

i'm not sure what i can do. what anyone can do. i don't think i'm the right person to do it either, it will take more than one person at least, and i'm not very good at making people agree with me on anything.
Nike had a good slogan called "just do it." It's a very good slogan for anything. Just do, and see what happens. Work with the process and see what you can do with it.

designers these days seem to stick to one medium, and maybe i'm not looking in the right places but i can't see much modern design theory.
I don't know about elsewhere, but I can tell you that design at my university is LAAAAAME. They are not concerned with anything in particular, they are not even concerned with design theory, as far as I can tell. I don't see any going on and I get blank looks from peers when I ask about it. I'm not a designer but jesus, I think I'm the only one there who gets its importance. These people are like sheep... they think that design is a way to fast money. I kid you not. It's sad.
In design and the fine arts there are no radical politics. As my father has commented, the revolution is dead. From my simple observations, which may not be sound, I think that the fine arts have somehow been crippled by the age of political correctness. Artists are afraid to talk about things, hiding behind formalism. Talking about oneself is much more popular than talking about the world in general - I have even done this, inadvertently, when trying to make a statement about the world. It went inwards and is now about myself. How weak-assed is that? I'm kind of ashamed. I can't make any postulations of what to do. I want to enliven up my school somehow, though. Just to get people's attention - "why is this place so boring?"
i don't think there can ever be a movement like these again, as influencial or long lasting
See above... the art world is in a state of paralysis. Maybe there is some hope if someone can find a defibrilator. It's an unhappy state.

I adore the harpsichord; its notes all play at the same volume, yet, the range of emotion that can come out of it is frightening.
Yes! harpsichord represent! It is a fabulous instrument... I actually think it handles range of emotion better than the piano can, and that's saying something. The lack of volume differentiation seems to give it some sort of... humility (not the right word) in that each note is given the same importance (don't you think a big booming low key on a piano can be cheesy in certain cases?). Happy songs sound really happy, and NOTHING plays a creepy song creepier than a Harpsichord can, at least not that I have heard.

says their existence justifies the creation of a 'world-wide command-and-control system'.
AHHHHHHH! AUUUGHHHH. The Nightmare Continues(tm). But we can't wake up!!

Lets find out. How obvious is this?
Good idea - Just DO it! (Yeah, I'm a cornball. heh)


FACT
8,286 women agreed with you, and chose "Abraham Lincoln" as the best sex option of all time.
posted by Barrie , 7:32 PM Þ 

Rule number two: You never talk about all your base are belong to us.
posted by Claus Eggers , 6:58 PM Þ 

Bandle Bobble (live) = Incredible!
I love that song! 150 levels of that song, over and over again, and you never get tired of it. Amazing!
posted by Barrie , 6:36 PM Þ 
posted by Claus Eggers , 1:21 PM Þ 
posted by Claus Eggers , 10:28 AM Þ 
Friday, March 14, 2003

http://pi.autopron.org/pie.html
posted by Irdial , 4:22 PM Þ 

Hi Alex

No, but thanks for the link! Very interesting - the multi stylus turntables are particularly interesting. Now, all of a sudden there's so many things to try! Well there were anyway, but y'need that tasty morsel of something to get you going every now and then...

That's the power of Blogdial, from "Feh" to "\/\/00t!!" in only a matter of posts.
posted by captain davros , 4:13 PM Þ 

WASHINGTON, March 13 (UPI) -- Every war needs a compelling brand proposition, and the Bush administration's default proposition is: "This is about American prerogatives," a Manhattan consultant said.

"The consumer holds the brand, not you," said Tracey Riese, an amateur military historian who is president of brand strategy firm T.G. Riese and Associates. For a war against Iraq, many people are not buying the brand, she said.

"It's not a question of what you call it. Thinking of something snappy to call the War of 1812 would not have rallied people to the cause." The problem for the administration of James Madison was that it was unable to create a sufficiently meaningful purpose for the war in the minds of many Americans.

She advises clients that slogans, logos, and even company names -- although important manifestations of the enterprise -- are not the brand.

The best and most successful "branding" establishes an emotional connection between the "product" and those who will pay for it, she said. In war, citizens must pay the highest possible price. The more directly and passionately the cause can engage them emotionally, the more loyally and ardently they will support it.

Using an example from the business world, Riese said the underlying brand principle at Disney is magic and happiness. Once the brand principle is understood, the organization must be structured to make it true. In Disney's case, this means delivering the happiness that people want to buy.

UPI
posted by Irdial , 3:57 PM Þ 

"DIAL session, When I listened to jazz first time, I rented Charlie Parker CDs at the CD rental store. These CDs are "CHARLIE PARKER STORY ON DIAL Vol.1,2"(TOSHIBA EMI). I remember I listened to it over and over. My first impression on it was "These are low sound quality." But later I found it that Dial session was one of the most high quarity Bird's sources... For that JAZZ inspired HARD BOP for me in those days, I felt Parker's sources corny.
Even so, I enjoyed swingin' on the music.


At this late date, I think that...
I could not see the value of this music.
I could not see the consequence of the fact that the absolutely valuable sound was given off ad infinitum.



"Crazeology". I feel Parker's will in this source that he would give us the energy of the music to the fullest."


http://www.chasinthebird.com/syoukai/syoukai_e06.html



posted by Mess Noone , 3:46 PM Þ 


"... They include a bottom gusset and extra long handles for easy carrying."

excuse me whilst i giggle uncontrolably.
posted by alex_tea , 3:42 PM Þ 

Davros, did you ever hear/see any of Janek Schaefer's prepared vinyl stuff. In particular the WOW 7", Skate or On Off?
posted by alex_tea , 3:33 PM Þ 



Akin, I am waiting to see one of these symbols, which adorn many road surfaces now, mutated into one of these...

posted by Alun , 2:55 PM Þ 

posted by Irdial , 2:30 PM Þ 

Do not say (at least not in public) that there is nothing else to do; the fact that it is not being done does not mean that all the horizons have been eclipsed.

Musically it might be easier to avoid this thought if being a musician were not such a lonely/isolated path to tread. By that I mean it'd be great if I could somehow sink some of my efforts into a greater project, based on a philosophy I agree on, and not be forever trying to get just my work out (as if that is a satisfactory end in itself anyway). I don't really want to be a label boss or a manager, which are existing ways to group artists together. And I am dubious of critical historical recollections that make links between artists (like "punk").

I felt the "nothing else to do" feelings back in 1999, and felt them with a heavy heart. So I made the prepared vinyl project as a response because I kept finding that most of the musical ideas I was cooking up at the time kept turning up on the radio before I'd finished them. It would have been interesting if I could have joined in somehow with a great worldwide effort to create something else at the time. I don't know how this would turn out, but it wouldn't be a compilation album.

This thread from me has come from listening to more Richard Stallman lectures, and thinking how interesting the whole GNU collaboration has been.

And I would go on, but I have to get back to work.

And whatever you do, DO NOT UNDERESTIMATE YOURSELF and the effect your work / thought has on other people.

Thanks!
posted by captain davros , 2:20 PM Þ 

President Bush’s obsession with Saddam, not unlike Captain Ahab’s with his whale, has already cost the United States dearly in the goodwill of millions of people around the world. “We are doing everything we can to avoid war,†the president said recently in his weekly radio address, “but if Saddam Hussein does not disarm peacefully, he will be disarmed by force.â€[...]

Arab News
posted by Irdial , 2:08 PM Þ 

One has to say, in 1986, Suzannah Hoffs = Much Nicer than Goths.
posted by captain davros , 2:08 PM Þ 

i look forward to vaginal vigour.

meanwhile... i haven't seen this posted here, although i'm sure you're all aware. american john kiesling's letter of resignation to colin powell. if you haven't read it please do, very eloquant and amazingly thought out. a real kick in the balls to the adminstration, and i doubt bush can even understand what's being said.
posted by alex_tea , 1:29 PM Þ 



Luigi Russolo, wrote "The Art Of Noises" in 1916. This manifesto, is the basis of the incredible, priceless and most wonderful of groups The Art Of Noise I first read it in 1992; its words are heroic, "we must break out of this limited circle of sounds and conquer the infinite variety of noise-sounds. Its meaning is clear. Its intent, to further free man.

It took seventy years for the thought of this manifesto to be brought to and appreciated by the public, and the truth of thes ideas has nothing to do with the technology used to make the records of The Art Of Noise.

These ideas, pure extrapolation of theory, are what make the most exiting breakthroughs in mans existence; this reaquires a heroic stance, a bold stroke, fearlessness, and a willingness to fail.

By saying that there is nothing left to do, you become the "Anti Russolo"; a man who is just flesh, without vitality, thrust or reason for being.

"We m welight much more in combining in our thoughts the noises of trams, of automobile engines, of carriages and brawling crowds, than in hearing again the "Eroica" or the "Pastorale". It is directly through these sentiments that we are able to set ourselvs aside from the rapidly moving stream of conventional thought that sweeps the masses along in a dream like state of acceptance, to stand outside, and be unique, real, and un sheep like.

As soon as you give up, you drown in that river. You become worse than a slave, because a slaves number one priority is to escape from his master. By giving up, you become like a battery chicken, an animal, a dumb beast, who is not self aware or posessed of a soul.

"Meanwhile, there is in progress a repugnant medley of monotonuos impressions and of the cretinous religious emotion of the Buddha-like listeners drunk with repeating for the thousandth time their more or less acquired and snobish extacy. Away! Let us leave, since we cannot for long restrain ourselvs from the desire to create finaly a new musical reality by gererously handing out some resounding slaps and stamping with both feet on violins, pianos, contrabasses, and organs. Let us go!

It cannot be objected that noise is only loud and disagreeable to the ear. It seems to me useless to enumerate all the subtle and delicate noises that produce pleasing sensations"


This seems today to be so obvious, with all of the different musics brought forth during 80 years of refinement, rule breaking and experimentation, but it was the deepest form of heresy in 1916.

Recording technology made the pace of the acceptance of noise music explode into mans ears and in fact, the distinction between noise and music is largely gone due to this, especially amongst the educated.

The thrust of this is that the horizon of what you can do, personally, is infinitely far away from you. The fat lady has not sung.

Do not say (at least not in public) that there is nothing else to do; the fact that it is not being done does not mean that all the horizons have been eclipsed. A single manifesto can create change on a planet wide scale, there is everywhere left to go, even if it is to take this manifesto, as Paul Morely did and 70 years after it was written, create one of the greatest groups and bodies of music ever in popular music, whose influence is still being exerted 20+ years after the release of the inspirational "Beat Box".
posted by Irdial , 1:26 PM Þ 

The most important thing is to THINK and LISTEN and FEEL.

Once you are thinking and listening and feeling, you are 99% of the way to solving all of these problems.

You must NEVER give up, and say, "there is nothing left to do". There is ALWAYS something to do, a new place to go; you simply have to have some BACKBONE and COURAGE, TESTICULAR FORTITUDE, VAGINAL VIGOUR to make the magic happen.

This is why I despair and rail at the lazy thinking behind the young'uns trotting out lazy talk and lazy thought and lazy art and lazy music.

GET REAL.
GET SERIOUS.
THINK, ACT, WORK, LEARN, LISTEN.

And whatever you do, DO NOT UNDERESTIMATE YOURSELF and the effect your work / thought has on other people.
posted by Irdial , 12:58 PM Þ 

"Washlet is the machine automatically wash your hip after doing your buisiness."

mmm bangles.

Die Kunstism. 1925.
posted by alex_tea , 12:11 PM Þ 
posted by Mess Noone , 11:32 AM Þ 

How to use Japanese toilet.

Also very useful information at the home page of that site.

Steal, rewrite, absorb.

The Bangles are back. I remember with fondness my crush on Susanna Hoffs..... (drifts away into reverential melancholia)
posted by Alun , 11:20 AM Þ 

Sorry, but there isn't much I can say about the constructivists. They just have an immediate aesthetic appeal.

posted by Mess Noone , 10:13 AM Þ 

does merzbow have anything to do with Schwitters' merzbau?

Merzbow the name is directly inspired by it. Merzbow the music was initially inspired by it, but apparently not so much later on.

there was a uniting theme of humanism and a lot of anti war sentiment

Before marching, I was very cynical about the whole thing. But within 5 minutes of being in the crowd, seeing parents demonstrating to their children that war need not be an option, and that they have a voice to oppose it with, I was heartbroken, and completely convinced that I was in the right place at the right moment.

posted by Mess Noone , 10:00 AM Þ 

can't see much modern design theory

i think one of the reasons for that is the fact that some of the people you mentioned, as well as people such as the designers of helvetica, univers & the like, reduced form to pure function to such a degree that further reduction is practically impossible ... any new 'design theory' would probably end up as being a 'style theory', a definition of embelishment, as against a theory of how to display information concisely & efficiently
posted by a hymn in g to nann , 9:05 AM Þ 

i sent money in appreciation of a212.

as for red pills, who knows.

i'm not sure what i can do. what anyone can do. i don't think i'm the right person to do it either, it will take more than one person at least, and i'm not very good at making people agree with me on anything.

but i do think something has to be done, and one is better off doing something one's self, rather than waiting for another to do it. but i need to read more, to learn more, to understand what's gone before, so i can understand what the future will bring and that takes time and there isn't much left.

oh dear.

i can quite imagine akin being morpheus. not that i've ever met him. maybe that's the point.

mess: what's with all the constructivism? i used kurt schwitters architype today in graphic version of the ripp off bands we were talking about. ie: it's following a movement/idea/genre that's been and past, but it was only for a small flyer, i think it looks ok and i wanted to experiment with the style.

i also find the politics behind a lot of the late 19th/early 20th century design amazing. people like william morris, christopher dresser, the constructivists (lissitsky & rodchenko), dadaism, werner werkstaat, de stijl, bauhaus.

they did so much. designers these days seem to stick to one medium, and maybe i'm not looking in the right places but i can't see much modern design theory. the nearest thing i've read to that recently is zeldman and his web standards evangelism...

one thing i want to ask is... does merzbow have anything to do with schwitters' merzbau?

it seems a lot of music ? particularily electronic ? has been influenced by european modernism, i guess the roots of electronic music spring from the same source. the bauhaus hosted the first turntablists and schwitters has been included in some early electronic compilations i think. (either ohm or modulations, correct me if i'm wrong). contemporary turntablism and plunderphonics are direct descendents of dada, noise descends from italy and the futurists. obviously bauhaus stole their name and logo. autechre and other generative musicians probably owe quite a bit to the constructivists, in my mind at least, and alexander rutterford's excellent animation for ganz graff seems a logical progression from the two dimensional print based forms of el lissitszy and kandinsky. techno could be seen as either a: futurist/constructivist (sounds of the machines) or b: bauhausian (mass produced, affordable utilitarianism) possibly both. joy division/new order seem to have been influenced by these things as well, especially in their early days, and no doubt peter saville was as well.

i don't think there can ever be a movement like these again, as influencial or long lasting. it's the same as barrie said about rock music. plus i think the growth of communication has meant that there are a lot more smaller niches and cliques rather than mass movements, because people can really direct their interests down to a small demographic.

i think this is why there might never be a mass movement against capitalism/western governements because everyone has their own idea about they're fighting for, and so all these rival factions are fighting (?) against each other rather than grouping together to fight the common enemy.

that's probably why the anti war march was such a success (in numbers at least) because it didn't matter about your political beliefs, there was a uniting theme of humanism and a lot of anti war sentiment. it was such a strong clear message and there were no two sides about it.
posted by alex_tea , 2:21 AM Þ 
Thursday, March 13, 2003

French Connection? I think not!

WASHINGTON

France, China and Syria all have a common reason for keeping American and British troops out of Iraq: the three nations may not want the world to discover that their nationals have been illicitly supplying Saddam Hussein with materials used in building long-range surface-to-surface missiles.[...]

By William Safire Nwe York Times

*******

9. Why did the U.S. edit the 12,000 page Iraqi weapons report (as recently revealed) to the U.N. Security Council, removing all names of U.S. companies that sold weapons materials to the Iraqis in the past?[...]

By Ari Berman Editor & Publisher
posted by Irdial , 8:20 PM Þ 

posted by chriszanf , 6:27 PM Þ 

The barrage continues...

Has anyone ever sent money in appreciation of A212?
posted by captain davros , 5:38 PM Þ 

I put an article online about Pica recently. Fascinating but pretty wild!
posted by captain davros , 5:37 PM Þ 

posted by Irdial , 5:28 PM Þ 
posted by Irdial , 5:20 PM Þ 
posted by Irdial , 5:18 PM Þ 

NOTIFICATION OF COMPULSORY ENLISTMENT

Under the Emergency Powers Act (1939) as amended by the Defence Act (1978), you are hereby notified that you are required to place yourself on standby for possible compulsory military service in the Iraq Conflict.

You may shortly be ordered to depart for the Middle East where you will either join the Third Battalion, The Queens Own Suicidal Conscripts or the Second Foot and Mouth.

Due to the recent rundown of the Navy and the refusal of P&O to lend us any of its liners, because of what it claims was due to the deplorable state in which they were returned after the Falklands adventure, it will be necessary for you to make your own way to the combat zone. HM Government has been able to negotiate a 20% discount on one-way trips with Virgin Airlines and you are strongly urged to take advantage of this offer.

Because of cutbacks in Government expenditure in recent years it will be necessary for you to provide yourself with the following equipment as soon as possible:

* Combat Jacket
* Trousers (preferably khaki - but please no denim)
* Tin helmet
* Boots (or a pair of sturdy trainers)
* Gas mask
* Map of the combat zone (the ordnance survey 1:2800 Outdoor Leisure Map of Iraq will do)
* Rifle
* Ammunition (preferably to suit previous item)
* Suntan oil

If you are in a position to afford it, we would like you to buy a tank. (Vickers Defense of Banbury is currently offering all new conscripts a 0% finance deal on all X Registration Chieftains, but hurry, as offer is only available whilst stocks last).

We would like to reassure you that, in the unlikely event of anything going wrong, you will receive a free burial in the graveyard of your choice and your next of kin will be entitled to the new War Widows Pension of GBP1.75 per calendar month, index-linked but subject to means testing, and fully repayable should our side eventually lose.

There may be little time for formal military training before your departure and do we advise that you hire videos of the following films and try and pick up a few tips as you watch:

* The Guns of Navarone
* Kelly's Heroes
* A Bridge to Far
* The Longest Day
* Apocalypse Now
* The Matrix
* Blazing Saddles
* The Desert Song
* Mary Poppins

We do not recommend that you watch Khartoum.

To prepare yourself mentally for your mission try reading the works of Wilfred Owen or Rupert Brooke. This should give you some idea of what may be involved.

Yours faithfully,


Geoffrey Hoon, Secretary of State for Defence.
A Bush - Blair Production
Sponsored by Mars, Pepsi and McDonalds. The Official Snacks of World War
posted by Irdial , 4:52 PM Þ 

Is it =really= true that nut allergy is being exacerbated by modern life?
Let them eat dirt

Also here... a bit. And here...

There is a distinction between hygiene and cleanliness. I once heard someone say 'You have to eat a pound of dirt before you die'.
Sorry. Brain dead today.
posted by Alun , 4:07 PM Þ 
posted by Alun , 3:53 PM Þ 

The Case of the 'Deadly' Drone

An unmanned aircraft with a 25-foot wingspan is at the center of a US/UN weapons controversy.

By Scott Peterson | Staff writer of The Christian Science Monitor

AL-TAJI, IRAQ - Iraq rolled out a controversial drone aircraft Wednesday, in an effort to rebut American claims that Iraq could use it to spread chemical and biological weapons.

The primitive craft - its wings held together with tin foil and duct tape, and two wooden propellers bolted to engines far smaller than those of a lawn mower - looked more like a high-school science project than the "smoking gun" that could spark a war.

"We are really astonished when we hear that this [craft] has been 'discovered' by inspection teams, [as] it has been declared in detail," said Ibrahim Hussein, an Iraqi Air Force general. "Nothing was hidden about it."

US Secretary of State Colin Powell has said that this drone "should be of concern to everybody," and American officials have sought to portray the issue as one of a series of Iraqi disarmament missteps. Britain also called Wednesday for "an accounting for unmanned aerial vehicles" as one of its six disarmament conditions for Iraq.[...]

CSM
and
Salon

Didnt I tell you all this drones business was ollocksbay?
posted by Irdial , 1:04 PM Þ 

posted by Mess Noone , 11:08 AM Þ 

posted by Claus Eggers , 9:26 AM Þ 
posted by Irdial , 9:06 AM Þ 

Some conservative groups are finding common ground with organizations such as the American Civil Liberties Union and the Bill of Rights Defense Council, expressing concerns about the effect that the USA Patriot Act and a possible follow-up law, the Domestic Security Enhancement Act, could have on civil liberties.

Liberal critics have directed much of their worry at what they saw as an attack on immigrants' rights in the Patriot Act, the massive measure that was passed as the country was reeling from the Sept. 11, 2001, terror attacks.

More than 60 towns, cities and counties around the country have passed resolutions criticizing the act, some going so far as to instruct municipal employees — including police — not to assist federal agents in investigations that they believe violate the Constitution.

The powers that would be granted under Patriot II as written in the draft would fundamentally change American society, say scholars and conservative critics of the measure, because the government would be allowed to carry out electronic searches of virtually all information available about an individual without having to show probable cause and without informing the individual that the investigation was being carried out.

"Should the government be allowed to use complex software to find patterns of spending or patterns of activities to find out if someone has been committing illegal acts if there is no probable cause in the first place?" asked Ronald Kahn, a professor of politics and law at Oberlin College. "Patriot I and Patriot II open the door to that, and that means that everybody in the country is under suspicion.

"When you take away the notion of probable cause, everyone is under suspicion," he said.

ABC News
posted by Irdial , 9:05 AM Þ 

posted by Irdial , 8:17 AM Þ 

Dear irdial:

This is an exciting time for SETI@home.
On March 18-20 2003 we travel to the Arecibo radio telescope
to re-observe the most promising "candidates" produced by our search so far.
There is a chance that these new observations will yield
the first real evidence of extraterrestrial life.
Thanks for being part of this history-making effort!
According to our records, you have processed 37 work units,
the most recent on July 23, 1999.
Your contribution of computer time to SETI@home is greatly appreciated.
If you have taken a break from SETI@home, now is a great time
to start up again; you can download the latest software at
http://setiathome.berkeley.edu/download.html
posted by Irdial , 8:08 AM Þ 
Wednesday, March 12, 2003



oo-er!!
posted by chriszanf , 11:36 PM Þ 
posted by Claus Eggers , 10:07 PM Þ 

posted by Claus Eggers , 9:33 PM Þ 

Interesting. I've decided I will be remaking the samples in my music for this "release" - aside from not wanting to get caught up in anything I can't handle legally (which I realise is being a little pretentious in terms of how far I think the music will actually travel), I'm actually getting excited by the idea of replacing some of the more commonplace sounds.

In this case the samples are not recognisable phrases from another artist's works, just single note examples of an instrument, notably bass and drums, taken from intros and quiet parts of songs, or downloaded from websites. I was looking for some sounds to get going with on this project, and I spent only a very short while collecting my "instruments".

Whilst it'll be a challenge to replace some, I think the experience will take the songs into a new territory, and I'll definately know they are mine then and feel more confident about sharing the end music with others.

Naturally if the songs were based around longer samples I might be bolder and would argue that they're part of the song. I agree about the 2d collage works, and indeed a lot of the sonic works of late. But the processes in place that spoil the fun and experiment of creativity feel strong in this current reality.
posted by captain davros , 7:21 PM Þ 

PSI Ops in full effect

U.S. officials said Wednesday that surrender negotiations have secretly begun with key Iraqi military officials in hopes that some military units will not fight U.S. and coalition forces if there is war.

The Pentagon is not handling these communications, officials said, but instead other elements of the U.S. government are conducting them.

One senior official said that some parts of the Iraqi military already may have agreed not to fight.

These efforts underscore assessments by the CIA and Defense Intelligence Agency that the leadership around Saddam Hussein is brittle. Officials have been making that view somewhat public as part of an effort to publicize what they say is Saddam's vulnerability.

The officials said they could not give specifics, citing concern that Saddam would enact retribution. [...]

From CNN Front page.

From ABC NEWS USA:

Despite Military Disadvantage, Saddam Has Some Things in His Favor[...]

...Military Loyalty: The Republican Guards and security forces may well remain loyal until the last, although some localized defections or surrenders seem almost inevitable. However, their loyalty may not be a major issue, if allied forces can cut off key loyalist units in compounds, isolate them, and go for the core of Saddam's regime.[...]
posted by Irdial , 5:27 PM Þ 

The Tower of Moab is a great short story by Leslie Allin Lewis.
posted by Mess Noone , 5:26 PM Þ 
posted by chriszanf , 5:01 PM Þ 



'I believe that so much of Catholicism, and in fact so much of all the Christian religions, is about the exegesis of them - about the interpretation of the ideas, and not about the actual body of scripture,'
posted by Irdial , 4:30 PM Þ 


"The MOAB, privately known in military circles as "the mother of all bombs," has been under development since late last year."

Zephaniah also indicts Moab and Ammon for all their abuses towards Israel. "I have
heard the reproach of Moab and Ammon, whereby they have reproached my people and magnified
themselves against their [Israel's] border" (Zephaniah 2:8). The Lord spared ancient
Moab and Ammon during Israel's wilderness journey, but not modern Moab and Ammon which is
the Arab nation of Jordan. During the Israeli War of Independence in 1948, it was Jordan
who captured the "West Bank" and the Bible Jerusalem ("magnified themselves
against their borders"). It was Jordan who expelled all Jews from the West Bank and
East Jerusalem ("they have reproached my people"). It was Jordan who occupied
Judea and Samaria (wrongfully calling them the "West Bank") until Israel's
victory in the 1967 War. It was Jordan who destroyed all Jewish holy places in Jerusalem.
Also it was Jordan with the Palestinians who sided with Saddam Hussein during Desert Storm
in the hope he would fulfill his threat to "scorch half of Israel." Now in the
"peace process," King Hussein of Jordan with dignity and poise knows how to say
all the right things and the past is forgotten. But the Lord has not forgotten. Because of
these sins, Moab and Ammon (parts of modern Jordan) shall become "a perpetual
desolation: the residue of my people [Israel] shall spoil them, and the remnant of my
people [Israel] shall possess them" (Zephaniah 2:9).
posted by Irdial , 4:28 PM Þ 

posted by Mess Noone , 4:10 PM Þ 

You have control over the copyright of your own work. If your work contains samples, you can either get permission to sample and include the sample, or not include it and release it anyway. The risk is yours to take.

There are many arguments about sampling and its relation to collage; many 2D works that are now lauded as priceless additons to mankinds collective conciousness would be deemed strictly illegal today. These works would be physically destroyed by a cease and desist order.

You have to decide how important the constructural integrity of your work is, and whether removing the elements of collage will destroy the original work.

Certainly for example, The Beastie Boys "Pauls Boutique" could not exist without the samples, nor could Beltrams "Mental Mayhem" nor T-99's "Anastasia", nor "Meltdown" by Quartz. None of these records, all of them priceless, could exist without the samples that are in them.
posted by Irdial , 3:55 PM Þ 

Slow Food

from the Ark of Taste section of the site:
The Ark metaphor is explicit: onto this symbolic ship, Slow Food intends to load gastronomic products threatened by industrial standardization, hyperhygienist legislation, the rules of the large-scale retail trade and the deterioration of the environment.
The aim of the Ark of Taste is to rediscover, catalogue, describe and promote almost forgotten flavors, from violino di capra to the plum tomato of Corbara, from Caciocavallo podolico to bottarga di muggine, or mullet roe, and many others still - all products in danger of extinction but still alive, and with real productive and commercial potential.
posted by Josh Carr , 3:54 PM Þ 
posted by Mess Noone , 3:22 PM Þ 

conspiracy theories".

This phrase is being used more and more to discredit anyone who is recounting actual historical fact. Extraordinary. I watched todays question time, there is no way out now for Blair...and his payment will be nothing.

Tam Dayal on Sky, when asked if he should be getting "behind our boys" gave the dim witted presenter, a blast of reason that blew her off of her seat. I dont know where they get these presenters from, or who is feeding them questions, but I hope that they broke the mould at the "Journalist Factory", because one generation like this is more than enough
posted by Irdial , 3:18 PM Þ 

Likewise, getting rid of all IgE (as the Swiss want to re: pet allergies) will be bad if you get a parasitic worm infection as IgE and histamine in the gut work to irritate the worm enough to get it to piss off out of your intestines.

And of course, something like threadworm which is absolutely everywhere would become a big problem if these shots became widely used.

What I would also like to know is how epinephrine works to stop Anaphylaxis. Epinephrine is (if i remember correctly) related somehow to Adrenalin, when you are freaking out when you have been stung by a bee, why dont you get any protection from your own Adrenalin?

Is it =really= true that nut allergy is being exacerbated by modern life? I have read that there is suspicion that there is a mold on peanut that is actually the cause of Anaphylactic reactions to nuts, but this might be "Planters propaganda".

Surely, in the record obsessed UK there must be historical cases of people dying within five minutes of eating a nut; also what is the relation between improved hygene and immunity? When we talk about hygene, we mean clean water, washed plates, and washing hands before eating. This has eliminated (!) cholera Thphoid, Amoebic Dysentery , all manner of replusive worms...surely these things, which dont appear to be stoppable by a strenghened immune system have not had an effect on the nut problem.

By the way, in continental Africa, has the incedence of nut allergy increased? Because if the answer is no, then we can start to narrow down what is causing this problem.

I have met people who have never lived without worms, having never had access to clean water.

Unimaginable.
posted by Irdial , 3:11 PM Þ 

http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/2843069.stm

"The BBC is to broadcast all of its channels free on digital satellite, allowing people to watch them without a subscription with BSkyB.
From 30 May this year, the BBC's services will be broadcast without encryption so viewers without a Sky card will be able to watch.
The move means the BBC saves an estimated £85m over the next five years, which it currently pays to BSkyB for encryption of the channels. "

tsk.......poor old Rupert...£85 million less going to him.
posted by chriszanf , 2:33 PM Þ 

Why do we keep getting the same response from the same allergens (nuts and pollen)? Why dont the memory B cells work to stop an allergic reaction (like a hystamine reaction) when they can stop viral re-infection?
In a nutshell (ba-boom) I don't know why always nuts and pollen. It must be something about their structure which is particularly allergenic (or maybe similar enough to a bacterial/viral component...). Add to that the evidence that modern society is making people more susceptible to allergies (through toxins, antibiotics, lifestyle, cleanliness etc)..... However, remember that pollen allergies have been around forever, as may have nut allergies, it's just that they never made national news. Bee stings can give the same reaction. Anaphylaxis.
The problem B cells have (and therefore the host (you) has) is that they think they're doing the right thing. It's their job to start this inflammatory response. It's just that they might be too good, too enthusiastic, and difficult to control quickly. B cells only set things off, they can't stop (for example) histamine because histamine is part of SELF, which they are programmed to ignore (or tolerate). Bugs/viruses are NON-SELF and should be dealt with appropriately.

And if you got rid of histamine, you'd have all sorts of other problems.

Likewise, getting rid of all IgE (as the Swiss want to re: pet allergies) will be bad if you get a parasitic worm infection as IgE and histamine in the gut work to irritate the worm enough to get it to piss off out of your intestines.
posted by Alun , 2:32 PM Þ 

In Prime Ministers Questions today Tony blathers on. If anyone spots any substance whatsoever in his replies, do please tell me.

Tony Wright, the Labour public administration committee chief, begins by praising the prime minister's efforts to go through the UN - always suspicious - before quoting a 1998 document from Bush administration personnel, including Paul Wolfowitz, saying that Iraq must be invaded.

"Let's work out the right thing to do and do it," Mr Blair flatly replies, calling such documentation "conspiracy theories". Again.

!



Lib Dem Vincent Cable pointedly brings up yesterday's revelation that the US is now handing out contracts for the rebuilding of Iraq, including to the vice president's former firm Halliburton, and that the US president sees war as an opportunity to hand out contracts, which for all the UK support, we have not been offered.

The prime minister flatly denies this: "I don't agree with him at all."
Eh?



posted by Alun , 2:11 PM Þ 
posted by b , 1:54 PM Þ 

"What truth?

That you are a slave, Neo. Like everyone else, you were born into bondage. Born into a prison that you cannot smell or taste or touch. A prison for your mind.

Unfortunately, no one can be told what the Matrix is, you have to see it for yourself.

This is your last chance. After this there is no turning back.
You take the blue pill, the story ends. You wake up in your bed and believe whatever you want to believe.

You take the red pill, you stay in wonderland and I show you how deep the rabbit hole goes."

Took the red pill ay Alex??
posted by Irdial , 1:29 PM Þ 

[...]
Meanwhile, there is anger among British unions after the Bush administration had selected only American companies to bid for a £560 million contract to rebuild Iraq after any conflict.
The work would be the largest reconstruction effort since rebuilding Germany and Japan after World War Two.
Only the five American firms were considered big enough to do the job.
The fact that one of the companies - Haliburton - used to be run by current US Vice President Dick Cheney has added to the criticism.
Outraaaageeous!
posted by Irdial , 1:26 PM Þ 

More open content-y witterings...

How does this cover usage of other artist's work? I'm thinking in particular of reappropriation of samples, and things like some of the Monster Music shows which have featured other's works.

Last night I went over some of my songs and tried to figure out how many of the sounds were really mine and if any of them had come from somewhere else. They are about 95% mine, but I feel like replacing those that aren't mine since it seems like "the right thing to do". But it gets so confusing at times. I mean I've tweaked single note samples from tracks until they're very different from the original, but they still don't seem like I should use them as "mine" when I think (too much) about it.

Thoughts are welcome!
posted by captain davros , 1:10 PM Þ 

a friend in Belgium said this was broadcast on the radio there........


The Pentagon threatens to bomb sattelite links of independent journalists in Iraq, even if this means that these journalists lives are at risk by doing so .

This was said by reknown BBC journalist Kate Adie in an interview with Irish radio.
According to Adie this was said by ahigh officer at the Pentagon who claimed US planes will fire at all sattelitetelephone and TV broadcasting uplinks they detect ...

The Pentagon also wants to screen all journalists before letting them in the country and put all sattelite equipment under military supervision ...
posted by chriszanf , 11:21 AM Þ 
posted by chriszanf , 11:17 AM Þ 

what the fuck is going on?

i read stupid white men this week. the last chapter hints at something far bigger than the scope of that book. bush (well, probably the fbi & cia more than bush himself), and possibly blair, know something about this war, about bin laden, afghanistan, saudi arabia and iraq. more than they're letting on, it's like these little games between boys. the top 2% financially the bottom 2% morally.. it's really scary, it's like i had some weird epiphany thinking about it. if we don't stand up and take over now and make governments really represent the people rather than a few people then it's never going to get better...

i think i could be delerious as i only just got up, but i'm quite scared really.
posted by alex_tea , 11:07 AM Þ 

posted by Irdial , 7:14 AM Þ 
Tuesday, March 11, 2003

How about this for a list?

Japan
Japanese Techno
Japanese Art
Hentai
Ecchi
Dragonball Z
isonews
Iraq
Irak
MEGUMI
cricket
Blair
Bush
Rice
Cheney
UN
Sex

And it doesnt end there!
posted by Irdial , 11:21 PM Þ 

WASHINGTON (Reuters) -- A U.S. diplomat resigned from government service Monday in protest at President Bush's preparations to attack Iraq, the second to do so in less than a month.



John H. Brown, who joined the U.S. diplomatic corps in 1981 and served in London, Prague, Krakow, Kiev, Belgrade and Moscow, said in a letter to Secretary of State Colin Powell made available to the media: "I cannot in good conscience support President Bush's war plans against Iraq.

"Throughout the globe the United States is becoming associated with the unjustified use of force. The president's disregard for views in other nations, borne out by his neglect of public diplomacy, is giving birth to an anti-American century," the diplomat added.

Brown has recently been attached to the Institute for the Study of Diplomacy at Georgetown University in Washington. Immediately before that, he was cultural attache at the U.S. Embassy in Moscow.

A senior U.S. diplomat based in Athens, political counselor John Brady Kiesling, 45, resigned in protest at the Bush administration's policy on Iraq last month.

cnn.com
posted by chriszanf , 7:38 PM Þ 

-----Original Message-----
From: Tim Sheridan [mailto:timmy.sheridan@virgin.net]
Sent: 10 March 2003 19:11
To: everybody
Subject: This could actually work


Below is the e mail address of the Pope. There are thousands of people
emailing him every day. Myself and many friends are asking him to visit Iraq
as the ultimate human shield. He is vocally anti - war. The only person on
the planet the american goverment is frightened of annoying, with a
hispanic, italian and irish majority in the US as well as many other
religions who respect and admire him, is the Pope.

A sample idea ;

Your Holiness,
We are very concerned that the threat of War cannot be averted and many
innocent people will die. If you were to visit Iraq you might prevent much
bloodshed by your presence. Please consider it for the sake of Humanity.

yours respectfully
Tim Sheridan

The Papal address is ; accreditamenti@pressva.va.

If you would like to send a fax the number is: 00-39-06698-85378 and to
phone call: 00-39-06-69-82.
posted by Irdial , 6:49 PM Þ 
posted by chriszanf , 6:43 PM Þ 

once you encounter something (e.g. part of a bug)

Thank you for that answer....

Why do we keep getting the same response from the same allergens (nuts and pollen)? Why dont the memory B cells work to stop an allergic reaction (like a hystamine reaction) when they can stop viral re-infection?

I ask this because the Swiss are using immunological techniques to stop allergic reactions, which I gathered was not doable since viral infection and allergic reactions are related, but "not in that way".

Will it work do you think?
posted by Irdial , 2:45 PM Þ 

Bad Grammar at Apple:

Ready to protect and serve
Java is one of the key components of a good server solution. That?s why it?s a vital part of the Mac OS X Server software for Xserve. In addition, Xserve includes Tomcat, a popular server for deploying simple Java applications based on JSP and Servlets. If that weren?t enough, Xserve also includes a deployment license of the full WebObjects Java application server, so that you can deploy sophisticated Web applications right out of the box. There are also J2EE implementations available, including JRun from Macromedia as well as the open source JBoss server.

emphasis is mine... actually, that sounds wrong. oh dear.
posted by alex_tea , 2:33 PM Þ 

The intended meaning of your post came to me on Bethnal Green Road. I am inconsequential.
posted by Mess Noone , 2:18 PM Þ 

Monoclonal Antibodies
.....which gets you nowhere.

Monoclonal Antibodies (mAbs): All antibodies are made by B cells (B for Bone marrow, where B cells come from. T cells from Thymus. Generally.) Antibodies made by your body are the product of random genetic variation followed by hard selection once you encounter something (e.g. part of a bug) that is specific for a particular B cell receptor. First you get IgM (Immunoglobulin M), then if the bug comes again, or latere in the response, you get IgG, D, A, or E... depending.
Anyway, this leaves you with some 'memory' B cells which make a specific antibody. Once the variation/selection process is done, there's no going back. Thats all that cell can make. Forever.
This basic immunological process was taken by Cesar Milstein (RIP last year) and Kohler and adapted in vitro to give mAbs. Basically....

Give a [mouse] your antigen
Wait
Give again (repeat as necessary)
Wait
Take spleen from mouse. (this is where most B cells live)
Mix with a B cell tumour 'cell line' (an immortalized cell which will divide forever)
Add magic ingredients (to fuse membranes, make the cells happy etc.)
At this stage you hope to have fusion of your antigen-specific B cell with a tumour cell. Numbers will be low.
Incubate and wait.
With patient cell culture and careful cloning (which in this case means making sure that every cell in a culture is derived from a single original cell) you will get maybe 1000 clones (maybe more, maybe a lot less). Selection can weed out tumour cells only. B cells only will not grow.
That they are clones means they are all identical, and immortal, although each clone may be specific for a different antigen, or even a different part of an antigen.
Use your antigen and a nifty immunological technique to find out which clone is making mAb against your antigen.
Bravo! You have a mAb of your own.
Now find that it was in the catalogue all the time.....


Funny you should mention it, I was reading this today....
As they say, most airway allergies are your own IgE causing histamine release. So some Swiss are trying out a mAb directed against your own IgE to get rid of it. Clinical trials are underway.... (All antibodies of the same class (A,G, M..) share over 90% of their structure which, so mAb against your IgE will also work against my IgE...


WoW! I like this! I get to be the nerd for a change!!!!!!! That's L337!
posted by Alun , 1:32 PM Þ 

Capt. Nately:
[I]t's better to die on your feet, than to live on your knees.
Old Man:
You have it backwards: it is better to live on your feet, than to die on your knees.

What would we do without Google?®
posted by Irdial , 1:26 PM Þ 

If you're in a hole, stop digging. Unless, of course, you're France. At this writing, French diplomats continue their work to further isolate Paris from the majority of European capitals who will not be silent in the face of Jacques Chirac's appeasement of Saddam Hussein. Just how big a hole France has dug for itself is cogently explained by noted French philosopher André Glucksmann in "France's Five Cardinal Sins Over Iraq," which appeared in the International Herald Tribune on February 22. Above all, Glucksmann argues that current French policy remains morally bankrupt.

http://www.newamericancentury.org/
posted by Irdial , 1:12 PM Þ 

I can lie no longer: I have never read Catch 22. Can you explain what you mean?

I pray to every God that Charles Mingus never slighted woman.
posted by Mess Noone , 12:28 PM Þ 


I bought this carpet from my brother in law in Riyadh.
Only $50.
posted by Irdial , 12:01 PM Þ 

Everything is true, nothing is permitted.

havent you read Catch 22??! :]
posted by Irdial , 11:57 AM Þ 

THX-1138

Alun, is there any skinny that you can give us on this? Something about "monoclonal antibodys" that tells me....not alot!
posted by Irdial , 11:56 AM Þ 
posted by captain davros , 11:46 AM Þ 

George Monbiot on the Project for a New American Century.
Another document obtained by the Herald, written by Paul Wolfowitz and Lewis Libby, called upon the US to "discourage advanced industrial nations from challenging our leadership or even aspiring to a larger regional or global role".
Bush planned Iraq 'regime change' before becoming President

The PNAC report also:

l refers to key allies such as the UK as 'the most effective and efficient means of exercising American global leadership';

l describes peace-keeping missions as 'demanding American political leadership rather than that of the United Nations';

l reveals worries in the administration that Europe could rival the USA;

l says 'even should Saddam pass from the scene' bases in Saudi Arabia and Kuwait will remain permanently -- despite domestic opposition in the Gulf regimes to the stationing of US troops -- as 'Iran may well prove as large a threat to US interests as Iraq has';

l spotlights China for 'regime change' saying 'it is time to increase the presence of American forces in southeast Asia'. This, it says, may lead to 'American and allied power providing the spur to the process of democratisation in China';

l calls for the creation of 'US Space Forces', to dominate space, and the total control of cyberspace to prevent 'enemies' using the internet against the US;

l hints that, despite threatening war against Iraq for developing weapons of mass destruction, the US may consider developing biological weapons -- which the nation has banned -- in decades to come. It says: 'New methods of attack -- electronic, 'non-lethal', biological -- will be more widely available ... combat likely will take place in new dimensions, in space, cyberspace, and perhaps the world of microbes ... advanced forms of biological warfare that can 'target' specific genotypes may

transform biological warfare from the realm of terror to a politically useful tool'

;

l and pinpoints North Korea, Libya, Syria and Iran as dangerous regimes and says their existence justifies the creation of a 'world-wide command-and-control system'.


!!!!!!!!!!!!!!!!
It gets worse by the day.....
posted by Alun , 11:45 AM Þ 

I feel sick today. :-(

Nothing is true, everything is permitted?
posted by Mess Noone , 9:36 AM Þ 





posted by Irdial , 7:55 AM Þ 

That Richard Stallman lecture was superb; anyone with an interest in writing software should take the time to listen carefully to it.

Software patents are something straight out of lunatics mind...in any case, it seems that the issue of the ownership of ideas is going to be "explosively reformed", because there simply are not enough cops.
posted by Irdial , 7:18 AM Þ 
posted by chriszanf , 12:24 AM Þ 
Monday, March 10, 2003

its funny that you should post the staticbeats link Akin. I read the site regularly and all the tunes on my site are in the releases section. Also Shimone (nice guy who runs it) posted a story about irdial back in january.

he also runs another site where he posts pictures from his treks into the american countryside which are stunning. the webcasts are worth a listen as well.
posted by chriszanf , 7:57 PM Þ 

http://truths.omniseek.com/

this

no time...
posted by Irdial , 7:34 PM Þ 

Also, have you heard Christophe Rousset performing Couperin and, if so, do you recommend any other recordings over his?

I can recomend the recordings of Gustav Leonhardt and Kenneth Gilbert; there are some others in my collection, but I dont have the records to hand.

There is one boxed set that I have, which is totally exhillerating. If I remember correctly, it has a piece on it called "the 16th order" which will tear your soul apart.

While we are at it, have you ever heard/seen Elizabeth Chojnacka play the harpsichord? Take whatever chance to hear her perform that comes your way; you wont regret it.

Of course, the pieces written for her by Ligeti are beyond fantastic. I adore the harpsichord; its notes all play at the same volume, yet, the range of emotion that can come out of it is frightening.

You can control the tone, the tempo and the notes, and thats it. There are no volume dynamics like you get in piano; its always at max volume...it reads like speech, like a direct and vivid communication. The scarlatti that I have heard is also superb.
posted by Irdial , 7:20 PM Þ 
posted by Irdial , 7:06 PM Þ 

Google hacks

Word for the day:
Clare Short called TB 'Reckless'.
Ergo, one must be able to possess 'reck' as a feature of your self.
Slip it into conversation with your mum. (along with feck et al. See blogdial passim)
posted by Alun , 6:45 PM Þ 

There are universal truths

I really must disagree. Could you please give name to a few?

Also, have you heard Christophe Rousset performing Couperin and, if so, do you recommend any other recordings over his?
posted by Mess Noone , 4:18 PM Þ 

Thanks for the response. I can't see the free music philosophy pages since the firewall blocks them, but I'll try tonight. It's exciting stuff. No idea about PPL - I signed some stuff about PPL when I did the early Spunkle records, but I gather no one has ever played them on national radio! Ever! I have no PPL for Vehicle Derek, yet that's the record that has been played more (although not a lot more; about 3 times I think).
posted by captain davros , 3:23 PM Þ 

I am ashamed.

The licence that we release our music under is a modified version of the Free Music Philosophy under which, you are allowed to copy our work ad infinitum, as long as you do not make any kind of commercial use of the work, in whole or in part. It was written by Ram Samudrala.

You can release your works under any licence you like, and you can modify your licence as you see fit, to suit your needs.

Using a po box is cheap and easy. You do not have to collect the mail yourself; you can pay a little extra and have it delivered to your door.

As for the creative commons licences, for example the "Attribution-NonCommercial License" allows people to use your work for non commercial purposes, but "...The licensor permits others to copy, distribute, display, and perform the work. In return, licensees must give the original author credit."

If you intend to collect PPL for your work, then you need to strike this part out, since setting free that part means you cant collect Public Peformance Rights.
posted by Irdial , 1:09 PM Þ 



And in Denmark we have Boernefonden, a way to help a child who needs it. I have a "daughter" in Burkina Faso, wrote her a letter the other day, for the first time. I started to help 2 years ago and now she is 8 years old and going to school, instead of working. I know it is only a drop of water in the ocean of problems here on earth, but it feel nice and I hope it does the same for Lamoussa.

SPRING TIME
I AM IN LOVE
SUN IS SHINING
And I'm having a Turkish Bath with my sistha
posted by Alison , 1:08 PM Þ 

Some questions for clarification from the minds of Blogdial - if you've time to answer, please do!

I spent last week listening to Richard Stallman lectures on Ogg Vorbis files. He's got some good ideas about free(ing) things, so...

Free Music - is the notice on the Irdial site written by Irdial and if so can I apply it to my own works? Has it been easy to work with? Should I choose something like a creative commons licence? What are the views of Blogdial on these?

A PO Box - has anyone got any experience of using these in the UK, and any advice? The only thing I heard was from someone who got one, then moved house, and had to keep going back to his old neighbourhood to collect the mail, which was annoying apparently...
posted by captain davros , 11:05 AM Þ 
posted by Mess Noone , 9:33 AM Þ 

[...]But one incident really stung.

"Man, it was bad," says the Rat Pack-y star of Swingers. "These girls saw us and were kind of flirting, and they kept asking us if we were American. Finally we said, 'Yes,' and they just took off.

"One girl turns and says, 'We were hoping you were Canadian.' Canadian? Since when was it cooler to be Canadian?"

USA Today as you would expect!
posted by Irdial , 8:13 AM Þ 

Please don't put words in my mouth.
Dont be a simpleton; everyone can SEE what you wrote by scrolling down!

But not EVERYTHING has to be avant-garde.
Get a grip, this is already understood; its like saying "...but all paint is not blue".

By "innovative to the extreme" I mean that album or painting "x" is an incredibly interesting and innovative achievement
Where is the list of these?

Those things that are not important deserve a "whatever" because it is not worth to care much about them.
hence, these people create nothing, and really are a waste of space

But... is value, in this case, important or significant at all?
How can you even THINK this let alone say it? If it blows your mind, expands your ideas of what can be done, if it moves you; how can this value NOT be important AND signifigant?

be insulted for it.
Take it how you like. It was a passage of pure NOISE (and those in the know know, that Noise Annoys), and you will not get a high mark if you submit it!

they are not just a copy (in my opinion).
This is a problem of standards. If all you have ever eaten is factory farmed chicken, you will not know what you are missing when it comes to the taste of real chicken. What real people are able to do however, is STOP eating factory farmed chicken once they have eaten organic. They can tell the difference. By all means, do what you like, listen to what you like and eat what you like, but day is still bright and night is dark. There are universal truths, and these do not depend on what anyone thinks.

What I'm saying is that there is nothing wrong with re-interpretation (OR repetition).
Sadly, the lazy idiots in the very act of trumpeting this stuff as "ok" squeeze out the very thing that they say is "best". There isnt enough room for both of these cultures to co-exist, and right now, the bad one has displaced the good one. Copying is not "harmless", people who "dont care about people" are the enemy, especially when its clear that the people that we are talking about are hungry for that pure engergy, and are being palmed off with pale imitation thrills.

They can go on being decieved, it's their life, they can do what they want and discover what they want. Maybe they will discover originality - but I think cynically attacking them is not a good way to help them do so.
I despise the lazyness, the "whatever" attitude, the "its all the same", "it doesnt matter" attitude, I despese it, and the people who live it, and who argue for being asleep as a way of living. I despise people who knowingly allow themselvs to be lied to, and who, when they are shown that its false, say "whatever".

I don't think any genuine article can do this again!
And this is relevant to what? You are saying that its all over, it cant be exiting again, the thrill is gone forever, because of WHAT exactly?

WOULD there be room for original and challenging growth? Or would those imitators be replaced by other imitators?
Lets find out. How obvious is this?
posted by Irdial , 7:58 AM Þ 
Sunday, March 09, 2003

in what way? this is the distinction that idiots today cant make; they think that anything that reaches alot of people by definition must be good.
I didn't say "relevant" meant "good." Please don't put words in my mouth.
I think we're all using different interpretations of what "relevant" means. By saying relevant I am meaning to imply that something, whatever it is, has a large impact on something else. Nickelback is relevant because they heralded the respawing of really bad cock-rock, and subsequently have been listened to by millions of people. That is not to say that they are good... by any means. I hate that band. But in my mind, they are relevant and are worth thinking about.

I also did not mean to say that avant-garde is unnecessary. It IS necessary, completely necessary and is unquestionably the most important thing in art. But not EVERYTHING has to be avant-garde. There is nothing wrong with repetition (in my opinion), but there is something wrong when *everything* is in constant repetition.

sloppy thinking. poor english. What does "innovative to the extreme" mean?
Sorry. By "innovative to the extreme" I mean that album or painting "x" is an incredibly interesting and innovative achievement, far removed from anything that has existed before. example: what impressionism was to classic romanticism: radical.

the battle cry of todays youth..."whatever".
Totally. Some things are important, but many things are not. Those things that are not important deserve a "whatever" because it is not worth to care much about them. I deem a band like Interpol unimportant, but nice.
Now, this is how I think. I'm prone to bouts of extreme rage if I let myself get upset, so I take everything passively. I don't have a problem with other people thinking differently than this, though.

Originals have value. Copies have less value. This is true in every sense of the word "value".
I'll say "whatever" (so to speak) to a copy, when asked of its importance. You're completely right.
But... is value, in this case, important or significant at all?

What can I say about this passage? It reads like a rote recitation, of the type that you find on those essay trading sites on the net.
Probably because I was writing a rote recitation assignment while I was writing this. I was just trying to give alex some information on modernism, but I didn't expect to be insulted for it. I would say if you don't have anything to say, don't say anything, but that would destroy my argument. Say anything.

The original is always better, more pure; the people who cant understand this are normally uneducated and too lazy to go out and find the source of what they find so interesting in the music that is being sold to them as fresh.
But, in my example of Uncle Tupelo, they are not just a copy (in my opinion). They are taking an old style and reinterpreting it, and putting new artistic ideas upon it. Working a style is not copying it, it is furthering it (or "extending" if you like that word better). It is still viable and not a useless copy, though it is not purely original (or "new").

What we (and not aparently you) want, is the exitement, astonishment and thrill of an original idea.
I'm not saying an original idea is bad. Original ideas are the BEST. I want originality too. It is beautiful and wonderful in every case. What I'm saying is that there is nothing wrong with re-interpretation (OR repetition). Not everything has to be startingly original (but it WOULD be bad if everything was not startingly original). Things have to mix. There is room for both re-interpretation and pure originality. I would rather see pure originality, and I know that you would... but I don't have a problem with re-interpretation (or repetition) existing at the same time. Even copying; copying is pointless, but it's also harmless. People can be decieved that the copying is original, but I myself don't care about these people. They can go on being decieved, it's their life, they can do what they want and discover what they want. Maybe they will discover originality - but I think cynically attacking them is not a good way to help them do so. I suppose I could be considered a passive person in this regard - is passivity a trait of weakness? Is weakness bad in this case? The answer to this would be very subjective.

We do not want to watch people explore the ideas of others, at least, not exclusively.
Exactly!

Andy Warhol loved the objects that he reproduced; do your homework!!!
I know he did. By "jerk" I mean that his state of mind was very cynical - by "jerk" I was JOKING. But I forget that it is near impossible to joke on the Internet - that vital tone of sarcasm is impossible to type out. That was a mistake.

Rock was seen as a true threat to the fabric of society. It was banned, widely despised, caused riots, and changed everyting, forever.
I don't think any genuine article can do this again! Nothing can shock anymore, not even mass killing. Mass distribution by record companies really helped rock. Are record companies even capable anymore of putting forth something as exciting and challenging as the first recordings of rock music (or jazz music, prior to that)? I myself don't think so, nor do I think other means of distribution can do such a thing either. But I'm not an optimist.
Though, if it weren't for the Deep Purple imitators, WOULD there be room for original and challenging growth? Or would those imitators be replaced by other imitators?
posted by Barrie , 9:15 PM Þ 

posted by captain davros , 12:09 PM Þ 

I believe something is relevant when it
a) makes an impact on a large amount of people (be that having a lot of fans, selling a lot of records, or merely having popular ideas and/or


using the word relevant is a distraction. signifigant is better, and probably conveys what we are thinking about. by your measure, anything that sells alot of records is relevant, any idea that has popular currency, like pet rocks or chia pets, suddenly is "relevant". if you think that measure is sufficient, hey youre the young one, its your time, lap it up if you want.

b) makes an impact on other artists, influencing the art to come.

in what way? this is the distinction that idiots today cant make; they think that anything that reaches alot of people by definition must be good. this is clearly false, if you have any powers of discrimination.

Non-innovation is not unnecessary, however.

poor english.

The myth of the avant-garde, which began with post-impressionism, is that every new thing has be to unique,

by definition, something new *is* unique. if it is not an unseen gesture or idea, if it is a repeat of someone elses idea, then it is *not* new. Exitement comes from new thought, new horizons; it does not come from slavishly repeating someone elses new idea. It does not come from re interpreting an original idea. The exitement of a new idea is a thrill that is second to none. If you have tasted it as it happened, or via careful study, felt the strength of a new idea in history, you would never be satisfied with the chalatanry of regurgitators immitators and wanabees. The Avant-Garde, what it can produce and the beneficial influence it can have on everyone is absolutely not a myth, and the only people who discount it with a swipe of the hand are people who in some way, cant cut it.

different and important. It is exactly that - a myth. Not everything has to be innovative to the extreme.

sloppy thinking. poor english. What does "innovative to the extreme" mean?

The band Interpol is not very innovative, but in my opinion they are very good, so... whatever.

the battle cry of todays youth..."whatever".

(...) one's taste does not define relevance. Or maybe it does.
One's taste defines what one likes and dislikes, and nothing, absolutely nothing else. If anyone disagrees, prove that taste defines something other than taste, and I will believe you.


Originals have value. Copies have less value. This is true in every sense of the word "value".

I think modernism, which to an extent is the parent of cubism, is particularly relevant.
I think cubism is part of modernism. Modernism began with Manet who began to paint the modern life of the city around him. Cubism, informed by current political and theoretical language, was an extension of an artists' subjective view of the world directly in front of him (this is debatable of course). Modernism ended with Jackson Pollock, who exploded the concept of "picture" and blew the paint off the canvas with the "all over" approach. Anything (innovative) that came after is largely "post modern" but no one knows what that means yet.


What can I say about this passage? It reads like a rote recitation, of the type that you find on those essay trading sites on the net.

Its like a painter emerging today saying that she is a cubist AND that her work is relevant. That is a non sequitur.
see "the myth of the avant-garde" above. She might still be able to say something important and definitely relevant. Uncle Tupelo did it with old-timey country twang.


Old time country twang means the grand old oprey. Why would you want to listen to something that is a copy when you can hear the original? The original is always better, more pure; the people who cant understand this are normally uneducated and too lazy to go out and find the source of what they find so interesting in the music that is being sold to them as fresh.

Besides, her cubism could not be like picasso's or braque's cubism. It would be informed and about her world, and in a sense, different. It would not be part of the cubist MOVEMENT, but the style would be informed by cubism. Just how an "abstract expressionist" in these days and age is not an abstract expressionist per se. He may work like Rothko, but to different, and possibly relevant, ends.

What we (and not aparently you) want, is the exitement, astonishment and thrill of an original idea. We do not want to watch people explore the ideas of others, at least, not exclusively. We do not think that its OK

I'm not sure why I'm posting this. It doesn't ask any questions and it doesn't posit any answers. It just is. Irrelevant I guess.

You mean, "whatever". And as for the point of the post, it reaveals quite alot.


How can self-depriciation be a vehicle to critique pop culture?
Warhol eliminated his individuality, to be as a machine, to emulate the mass images, ideas, and concerns that society in general posed to him...


In that case, he should be using a totally different technique to make a noise, and should not in any way be making rock. Even the most dumb person can see that, by your definition, he should be "mechanizing" his work, "eliminating his personality" this means forsaking the ego centric, antiquated and pointless vehicle of rock, and finding something else, analagous to the way that work was produced at the factory. This is obvious.

Can a critique of pop culture be relevant when its delivered by a practitioner of it?
Again, I will point to the fame of Andy Warhol. He dealt a severe insult to pop culture by successfully selling his mechanically-produced, un-individual art as unique objects of art. What a jerk!


Andy Warhol is "A Jerk". My word, how on earth did they let you in to where you are studying??!??!?

Andy Warhol loved the objects that he reproduced; do your homework!!!

So you are saying that all past movements, philosophies and styles or genres are irrelevant because they are no longer contemporary, so one should not work or think within these boundaries as they were created for a time which has past?

No. Do whatever you want, make whatever you want, but dont decieve yourself in to thinking that what you are listening to or making is what it is not. Discerning people want new ideas, frown upon charlatans and hucksters and can tell the difference.

I'm not arguing, in a way I agree. I am trying to understand.

there are no two ways about it. This is binary. You are either for real, or lost in the morass. Ten out of ten for trying.

I don't agree however, with the statement that cubism is irrelevant.

You are confused; cubism is not irrelevant, but it is a closed door as far as innovation is concerned. Everest has been climed for the first time; it cannot be climed for the first time twice. The real people look for new challenges; no one knows where they are, but when they are found, you know and the thrill of it is trancendent.

I think modernism, which to an extent is the parent of cubism, is particularly relevant. However I don't think an artist or thinker should constrain themselves to a particular set of ideas, but should digest and interpret those ideas within their own ideas/knowledge/scope.

If it is not your aim to throw down the gauntlet, to leave your mark on history, to be you or as Miles Davis said, "to play like yourself", if you are not even aware that you should be striving in this direction you are just wasting time.

I don't know enough about anything really to back up what I just said, and I know that's very dangerous.

10/10 for humility.

I'm not sure that rock is completely irrelevant either. Rock in the basest sense may be. Rock as in Elvis, Bill Hayley, Bruce Springsteen or Shakin' Stevens ... Even Godspeed! or Sigur Rós...

If you were to hear or read personal accounts of what rock did when it burst onto the public conciousness, particularly the effect of Elvis, you would not have typed that extraordinary list. Rock was seen as a true threat to the fabric of society. It was banned, widely despised, caused riots, and changed everyting, forever. Your list is a perfect example of what I am talking about; the measurable difference between an immitation and the genuine article. You need to carefully study the history of rock so that you can put the acts that you hear into a context that will expose them for what they really are.

I don't think any of the current whatever-name-it's-got-recycling-led-zepplin-and-deep-purple bands are particularly relevant. Neither do I believe ElectroClash is a particularly interesting or relevant movement. Because neither of these 'movements' are adding anything new to the styles and sounds they've appropriated.

To reapeat myself, if I want to listen to Deep Purple, I put on "Machine Head". I dont need to listen to a gaggle or 20 year olds immitate DP. Anyone with sense knows this. Anyone who has been exposed to Deep Purple will immediately have the illusion of the immitators shattered.

It doesn't stop a few songs to come from these places to sound good, to be 'good' songs

we agree on this, but how often does it happen? it is a very rare event I would say.

but taste and relevance are different. Taste and relevance are also quite subjective. Taste is ultimately subjective. But relevance can be subjective on a few levels, but it's not a prerequisite. I think we're talking about relevance in a wider sense than personal relevance.

It is this "personal relevance" that allows Deep Purple immitators to flourish; "I am the first person ever to hear this great music". The false idea that this music belongs to the young generation that is getting into these immitaion bands.

If these groups had no effect on the wider music ecosystem it wouldnt matter what they played, but the fact is that, like a weed, they grow ferociously and push out the plants in the garden that you want, use up the precious recourses of the soil (your time) and kill the beautiful flowers before they get a chance to see the light.

This is why these groups, and thier ignorant apologists are the enemies of everyhing we love. If only we could Shock and Awe these people into oblivion!
posted by Irdial , 10:33 AM Þ 

does that make you ambitious when you supersize ambition?
posted by Barrie , 2:33 AM Þ 
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